Thursday, September 26, 2024

German Currents 2024

German Currents 2024
October 11 - October 14, 2024




More than just a series of film screenings, the German Currents Film Festival is a platform for cultural exchange, connecting German films and filmmakers with the greater Los Angeles community. The 18th annual festival takes place from October 11th – 14th  with screenings at the American Cinematheque and the Goethe-Institut.

German Currents 2024 opens Friday, October 11th, at the Egyptian Theatre, with the exclusive red-carpet LA premiere of WHEN WILL IT BE AGAIN LIKE IT NEVER WAS BEFORE (Wann wird es endlich wieder so, wie es nie war). This festival favorite by multi-award-winning writer-director Sonja explores the concepts of normality, mental illness, and a hilariously chaotic family life. The film starrs Devid Striesow (ALL QUIET ON THE WESTERN FRONT, THE COUNTERFEITERS, AGE OF CANNIBALS), who shines in his role as director of a psychiatric hospital. A gala reception at the Egyptian Theatre will follow the premiere.




The festival weekend continues with the US premiere of the popular short film showcase NEXT GENERATION SHORT TIGER 2024; the US premiere of director Sarah Neumann’s feature-length film debut, BEYOND THE BLUE BORDER (Jenseits der blauen Grenze), based on Dorit Linke’s best-selling novel and starring Lena Urzendowsky (FRANKY FIVE STAR, Netflix’s DARK, and HOW TO SELL DRUGS ONLINE (Fast)), and writer-director Fabian Stumm’s feature-length film debut, BONES AND NAMES (Knochen und Namen), all presented at the Goethe-Institut.

At the American Cinematheque’s Los Feliz 3 theater, German Currents presents the LA premiere of multi-award-winning cinematographer-director Judith Kaufmann and director Georg Maas’s historical drama THE GLORY OF LIFE (Die Herrlichkeit des Lebens), capturing the final year and romance in the life of writer Franz Kafka, as well as US premiere of writer-director Aslı Özarslan’s ELBOW (Ellbogen), based on the novel “Ellbogen” by Fatma Aydemir. 

Completing the festival program, the annual German Currents children’s matinee returns to the Goethe-Institut on Sunday, October 13th, with a free LA Premiere screening of writer-director Soleen Yusef’s winner of the German Film Award for best Youth and Children’s Film, WINNERS (Sieger sein), that will also be presented as a special invite-only educational screening for LA area schools on Monday, October 14th, at the Gardena Cinema. A discussion with Soleen Yusef following both events is planned.





For more information and to register for complimentary tickets to this year’s screenings, please click the following link: www.germancurrents.com

The German Currents Film Festival 2024 is a co-production of the Goethe-Institut Los Angeles and the American Cinematheque, and is presented in kind cooperation with the German Consulate General, and with the support of Condor, The Friends of Goethe, ELMA, The Villa Aurora, and the German Film Office.


Wednesday, September 25, 2024

TAFFF Docs 2024

THE AMERICAN FRENCH FILM FESTIVAL ANNOUNCES DOCUMENTARY AND SERIES LINEUPS FOR EVENT TAKING PLACE IN LOS ANGELES OCTOBER 29-NOVEMBER 3

5 Documentary Films and 11 TV Series to Compete for TAFFF’s Documentary and Series Awards 2024



Encompassing a wide range of topics and genres, The American French Film Festival (“TAFFF”), is announcing another eclectic mix of documentaries and TV series in this year’s Festival. Produced by The Franco-American Cultural Fund, the 28th annual event takes place at the DGA Theater Complex October 29-November 3. The five documentary titles and 11 series to be screened during the Festival will also be eligible for the 2024 American French Film Festival Documentary and Series Awards. 

The 5 DOCUMENTARIES in competition for the TAFFF Best Documentary Award 2024 are:

A Family / Une famille  (Written and directed by Christine Angot)  Award-winning French writer Christine Angot is invited for business to Strasbourg where her father had lived and died several years ago. It’s the city where she met him at the age of 13 for the first time, and he started to rape her. His wife and children still live there. Angot takes a camera, and knocks on her family’s doors to push them for clarity about their attitudes to her father’s crime that lasted so many years. A cinematographic journey challenging social norms and family perspectives in dealing with incest.

My Way (Written and directed by Thierry Teston and Liza Azuelos) NORTH AMERICAN PREMIERE. A compelling voyage to the heart of an iconic French-American song that explores the timeless classic's universal appeal and long-lasting legacy, from 1967 to the present, recounting, deconstructing, and paying homage to a tune that has been recorded 1,278 times by 714 artists in 163 languages, and is the number one most-requested song in karaoke bars worldwide.

Once Upon a Time Michel Legrand / Il Etait une fois Michel Legrand (Written and directed by David Herzog-Dessites) NORTH AMERICAN PREMIERE. The indomitable, ebullient presence of the great Michel Legrand fills every frame of this freewheeling portrait of the legendary 20th century musician and film composer. But it's the film's jazzy, effusive soundtrack that truly recounts the journey of a man who left an indelible mark on both music and world cinema.  Brimming with endless up-close-and-personal moments with the composer himself and interviews with countless collaborators, the film is an intimate portrait of a genuine maestro.


Tehachapi (Written and directed by JR) Once again, incisive visual artist JR captures the world around him and reflects it back to us in a way that transforms lives, mirrors the humanity within us, and literally changes the way we see the world. This time, his joint subject/canvas is the Tehachapi maximum security prison in Southern California. The idea was simply to photograph a group of inmates, create a monumental photo collage, and paste it on the ground of the prison courtyard, where it would remain for just a few days. Yet, in the process, so much more happened.

The Man with a Thousand Faces / L’Homme aux mille visages (Written and directed by Sonia Kronlund), NORTH AMERICAN PREMIERE.  His name is Alexandre, Ricardo, Daniel… He claims to be a surgeon, an engineer, from Argentina, from Brazil... And he lives with at least four different women simultaneously — women literally scattered across the planet. Filmmaker Sonia Kronlund constructs a veritable detective story, mischievously weaving together the astonishing, surprisingly funny tale of a modern-day Don Juan. Through the eyes of the victims, filmmaker Sonia Kronlund investigates to find out who is the man hiding himself behind so many identities.

The documentary program is presented in association with Le Bureau, Mediawan, MK2 Films, Pyramide International, AmaWaterways, and Titra FIlms.



The 11 TELEVISION SERIES in competition for both TAFFF Audience Award 2024 and the TAFFF Jury Award 2024 are:

A Dangerous Friendship / Une amitie dangereuse (HISTORICAL DRAMA. Written and Directed by Alain Tasma.) NORTH AMERICAN PREMIERE.  Adapted from the historical saga by Juliette Benzoni, Marie des intrigues et Marie des passions, © Plon 2013-2005, and starring a talented young cast, Alain Tasma’s historical series delves into the fierce bond that develops between two startlingly different, yet equally powerful, women in 17th century France — the free-spirited Marie de Rohan, Duchess of Chevreuse, and Anne of Austria, the straight-laced Queen of France now abandoned by her impotent monarch husband, Louis XIII. Marie sets out to bring the royal couple back together, bringing a lust for life and spontaneity into their staid household... as well as more than a few scandals.

Becoming Karl Lagerfeld (BIOPIC. Written by Isaure Pisani-Ferry, Dominique Baumard, Jennifer Have, and Nathalie Hertzberg. Directed by Audrey Estrougo and Jérôme Salle.)  Inspired by Le Monde investigative reporter Raphaëlle Bacqué’s biography, Kaiser Karl, the Disney+ Original series, produced by Gaumont, Becoming Karl Lagerfeld plunges us into the 1970s, a decade that was key to the legendary fashion designer's development, both artistically and personally, and long before he created the distinctive persona that became his trademark. 

Ca C’est Paris (COMEDY. Written by Marc Fitoussi, Edgard F. Grima, Jérôme Bruno, and Marina Defosse. Directed by Marc Fitoussi.) INTERNATIONAL PREMIERE Another behind-the-scenes showbiz romp from the creative team behind the beloved Emmy Award-winning comedy series Call My Agent!. Gaspard Berthille is manager of Le Tout-Paris, a time-honored Parisian cabaret that has, alas, seen better days. Unlike his late father, the night club's legendary impresario, Gaspard has failed miserably at perpetuating the cabaret's success. So he decides to sell the cherished family business to a big supermarket chain. Now he just has to break the news to his troupe.



Day One Escaping Ukraine / Sentinelles-Ukraine (WAR, DRAMA. Written by Frédéric Krivine, Thibault Valetoux. Directed by Jean-Philippe Amar) INTERNATIONAL PREMIERE  February 24, 2022. Lieutenant Anaïs Collet is on leave in a surrogacy clinic in Donbass, when Russia launches a military attack on Ukraine. She and her partner are suddenly trapped there, along with a group of other French couples. The Russian army is just a few kilometers away from the maternity hospital. They're torn — should they stay and wait for the birth of their child, or make haste and flee?

Extra. (COMEDY. Created, written and directed by Jonathan Hazan and Matthieu Bernard) NORTH AMERICAN PREMIERE. Catherine is a prim and proper wife, mother, and director of an inclusive choral group. Inadvertently walking in on one of her handicapped singers as she's having an orgasm unexpectedly awakens something in her. This fairly atypical family comedy, with its own brand of cheeky good humor, dares to challenge our notions of desire, intimacy and pleasure for people with disabilities.

In the Shadows / Dans l’ombre (POLITICAL THRILLER. Written and directed by Pierre Schoeller). NORTH AMERICAN PREMIERE. Devoted apparatchik and political advisor César Casalonga is 100% behind his boss of 20 years, underdog Paul Francœur, in his campaign to become the next President of France. Their long-held dream is suddenly in sight when Paul unexpectedly snatches the party’s nomination from front runner Marie-France Trémeau. But their triumph is quickly dampened by an anonymous phone call declaring that the primary was rigged. Based on the novel Dans l’Ombre, by former French Prime Minister Edouard Philippe and his own one-time advisor.

Samber / Sambre (CRIME DRAMA. Written by Alice Géraud, Marc Herpoux Academy Award winner Jean-Xavier de Lestrade. Directed by Jean-Xavier de Lestrade) US PREMIERE. In 1988, a woman regained consciousness after being brutally attacked on her way to work one morning. She files a complaint, but the bumbling, sexist cops don't take her seriously. Other crimes follow. Sixty-seven victims and 20 years later, in 2018, the most notorious serial rapist in France is finally arrested in this fictionalized series based on true events.



The Disappearance of Kimmy Diore / Les Enfants sont rois (DRAMA, THRILLER.  Written by Judith Havas, Victor Rodenbach, and Benjamin Adam. Artistic director, Sébastien Marnier) When six-year old social media celebrity Kimmy Diore is abducted in broad daylight, the police launch an intense investigation into the mysterious kidnapping. But given the child's manipulative, at times less-than-forthright, modern-day "stage mother," and her millions of rabid fans, potential suspects are plentiful.

The Confidante / Une amie dévouée (DRAMA. Created by Fanny Burdino, Samuel Doux, Alexandre Kauffmann, Jean-Baptiste Delafon. Directed by Just Philippot). After the terrorist attacks on Paris, a devastated Christelle joins a community of survivors… but her connection to the tragedy isn’t what it seems.

The Trigger / La Fievre (THRILLER. Written by Eric Benzekri, Laure Chichmanov, and Antony Gizel. Directed by Ziad Doueiri) NORTH AMERICAN PREMIERE.  The glitterati of French football attend an annual awards ceremony when scandal erupts. A Black football star headbutts his white coach and lets out a racist slur, triggering an enormous wave of media backlash, accusations of anti-white racism, and urgent demands for his expulsion from the team. A PR crisis management firm is immediately brought in to diffuse the situation and save the team's future, as a society torn apart by identity conflicts teeters on the brink of chaos and civil war.

Zorro (COMEDY/ADVENTURE. Written by Benjamin Charbit and Noé Debré. Directed by Jean-Baptiste Saurel and Émilie Noblet) NORTH AMERICAN PREMIERE. Academy Award Winner Jean Dujardin is Don Diego de la Vega, the elected mayor of Los Angeles. However, the city faces financial problems and his powers as mayor are not nearly enough to fight the rampant injustice. He hasn't pulled out his Zorro costume in 20 years, but this certainly seems like the moment. Yet Diego struggles to balance his dual identity, which is now straining his relationship with his wife Gabriella, who is not privy to his secret life. Can Diego salvage his marriage and his sanity amidst the chaos?




The Television Series Competition is presented in association with Disney+, Federation Studios, Les Films du Cygne, France TV Distribution, Max, Mediawan, Newen Connect, Paramount+ StudioCanal, Titra Films, and AmaWaterways. 

The documentary films and television series will compete for the 2024 TAFFF Awards, which will be awarded during a ceremony held in Paris on November 8. The full Festival line up, including all Feature films, will be announced on October 2. 


Thursday, September 12, 2024

TAFFF 2024

JACQUES AUDIARD’S OSCAR BUZZ-WORTHY FILM EMILIA PÉREZ TO OPEN THE 28TH ANNUAL AMERICAN FRENCH FILM FESTIVAL 

Sweeping Cinematic Tour-de-Force The Count Of Monte Cristo to Screen Closing Night of the Festival 



The American French Film Festival (TAFFF) will bookend it’s 28th annual edition with two of France’s most-talked-about films this awards season: Emilia Pérez, the Opening Night film, and The Count of Monte Cristo, which will wrap up the six-day event that runs October 29 to November 3 at the Director’s Guild of America Theatre Complex. The announcement was made today by The Franco-American Cultural Fund (FACF), the originator of The American French Film Festival. 

Jacques Audiard’s Emilia Pérez, a genre defying musical drama about love and redemption, will be celebrated at The American French Film Festival with a gala, red-carpet Opening Night screening on October 29, presented in association with Netflix. Written and directed by Jacques Audiard, the film was the toast of this year’s Cannes Film Festival, earning the four actresses - Karla Sofía Gascón, Zoe Saldaña, Selena Gomez, and Adriana Paz - a collective “Best Actress” award. The film will be rerun on October 30 at the Festival. 



The period drama The Count of Monte Cristo, France’s most-expensive film of 2024, will be the Closing Night film, November 3. Written and directed by Matthieu Delaporte and Alexandre de La Patellière, the film had its world premiere as part of the Official Selection of the 2024 Cannes Film Festival. 

Both films will compete for the 2024 TAFFF Awards, which will be awarded during a ceremony held in Paris on November 8. 

“We are beyond excited to have Emilia Pérez as our curtain-raiser and The Count of Monte Cristo wrap up the Festival this year - two films that feature music in spectacular ways,” said Cécile Rap-Veber, President of The Franco-American Cultural Fund and CEO of SACEM. “The American French Film Festival has become the place to shine for French films and series at the beginning of Awards season in Los Angeles. There is so much excitement and awards chatter around these two films. We are thrilled to have this mutual support between us and distributors Netflix and Samuel Goldwyn Films, as well as the filmmakers, stars, writers, and composers to celebrate with all of them the cooperation between the American and French film communities and to bring the very best of French filmmaking to Hollywood.” 

Emilia Pérez is an odyssey of four remarkable women in Mexico, each pursuing their own happiness. The fearsome cartel leader Emilia (Karla Sofía Gascón) enlists Rita (Zoe Saldaña), an unappreciated lawyer stuck in a dead-end job, to help fake her death so that Emilia can finally live authentically as her true self. The result is as rapturous as it is breathtaking and a testament to Jacques Audiard’s fearless filmmaking in the face of the most-daring of artistic risks. The film features 16 original songs and its affecting score composed by acclaimed musical duo Camille and Clément Ducol. 

Emilia Pérez is produced by Why Not Productions, Page 114, Saint Laurent Productions, France 2 Cinema, and Pathé Films. The film is distributed in the United States by Netflix. It will premiere in select theaters in the US on November 1 and on Netflix in the US, Canada and the UK on November 13. 





For The Count of Monte Cristo (Le Comte de Monte-Cristo) directors Matthieu Delaporte and Alexandre de La Patellière, the dynamic screenwriting duo behind last year's Three Musketeers blockbuster, now take on Alexandre Dumas's swashbuckling 19th century epic of lost love and single-minded vengeance and bring it to the big screen with a stellar ensemble cast and lavish production values. The tale begins with a heroic young first mate Edmond Dantès (Pierre Niney), freshly promoted to ship's captain and finally in a position to marry his secret love. However, on the very morning of their wedding day, Edmond is wrongfully arrested for a crime he knows nothing of — a plot hatched by three of the most ruthless of rivals— and shipped off to the formidable Château d'If prison off the coast of Marseille. But the story certainly doesn't end there, as filmmakers and author alike delve into an intimate examination of the nature of revenge, justice, mercy, and forgiveness. The moving story is accompanied by an all-encompassing original score from composer Jérôme Rebotier. 

The Count of Monte Cristo is produced by Chapter 2, Pathé Films, Fargo Films, Logical Content Venture, Umedia, and M6. The Count of Monte Cristo is distributed in the US by Samuel Goldwyn Films and will have a US theatrical release in Q4 2024. 

The festival will release the series and documentary selections after September 15. The full line up including all Feature films will be announced on October 2.