Sunday, October 19, 2025

Young Mothers

YOUNG MOTHERS
(Jeunes Mères)

Directed by Jean-Pierre and Luc Dardenne




YOUNG MOTHERS (Jeunes Mères), the latest feature from celebrated Belgian auteurs Jean-Pierre and Luc Dardenne, will screen as part of the AFIFEST’s Luminaries showcase on Thursday, October 23, 6:15 pm at TCL Chinese 3 Theatre, Hollywood, followed by a Q&A with Jean-Pierre and Luc Dardenne moderated by Mimi Brody.

Following its world premiere in Competition at the 2025 Cannes Film Festival, where it received the Best Screenplay Award and the Prize of the Ecumenical Jury, the film continues its international festival journey to Los Angeles audiences.

YOUNG MOTHERS has been selected as Belgium’s official submission for Best International Feature Film at the 98th Academy Awards.

Produced by Les Films du Fleuve, in co-production with Archipel 35 and The Reunion, handled internationally by Goodfellas and distributed in the US by Music Box Films.



Set in a shelter for teenage mothers on the outskirts of Liège, YOUNG MOTHERS follows five young women - Jessica (Babette Verbeek), Perla (Lucie Laruelle), Julie (Elsa Houben), Ariane (Janaïna Halloy Fokan), and Naïma (Samia Hilmi) - as they navigate the challenges of caring for their infants while confronting uncertain futures. Through the Dardennes’ signature blend of realism and moral urgency, the film offers a deeply empathetic window into the resilience of young women seeking stability and connection in a world of fragile support.

“We went in to research a maternity home with the idea of one character. Then we saw the life there, the five or six young mothers. And this was new for us, to envisage a whole group. We were attracted by it. We didn’t want to do a choral ensemble piece. We wanted each to have their story. And we decided that there would be light at the end of each tunnel. Sometimes a fragile, feeble light. But we didn’t want failure,” said Luc Dardenne.



Shot with the Dardennes’ hallmark intimacy and emotional restraint, YOUNG MOTHERS continues the brothers’ legacy of humanist cinema, following their Palme d’Or-winning films Rosetta and The Child, and their acclaimed Two Days, One Night. Critics have described the new work as “a compelling return to their hallmark style of social realism, infused with gentleness, compassion, and understated storytelling…The film captures the raw emotional complexities of teen motherhood with grace and clarity, highlighting both the resilience of the young women and the burden carried by their older counterparts.” _ The Guardian (Peter Bradshaw)

Since its Cannes debut, YOUNG MOTHERS has screened at major international festivals including Edinburgh, San Sebastián, and Film Festival Cologne, where it was praised for its ensemble of first-time actors and its uncompromising honesty.




Wednesday, October 1, 2025

AFI FEST 2025

 AFI FEST 2025 Presented by Canva Announces Full Festival Lineup

Official Selections Represent 56 Countries and Include 19 Best International Feature Oscar® Submissions 

Passes and Ticket Bundles Available Now, Tickets on Sale October 6





The American Film Institute unveiled the full lineup of 161 films screening at this year’s AFI FEST presented by Canva, taking place in Los Angeles from October 22-26. Passes are now available at FEST.AFI.com. 10-ticket bundles are also on sale, with ticket selection opening Friday, October 3. Individual tickets will be available starting Monday, October 6.

This year’s festival lineup includes 7 Red Carpet Premieres, 12 Special Screenings, 14 Luminaries selections, 15 Discovery films, 20 World Cinema selections, 15 Documentaries, 6 After Dark titles, 44 films in the Short Film Competition, and 23 films from the AFI Conservatory Showcase presented by AMC Networks. There are 5 World Premieres, 5 North American Premieres and 5 U.S. Premieres. Of the official selections, 39% are directed by women and 29% are directed by BIPOC filmmakers.


THE CURRENTS

Rounding out the impressive slate of already announced titles are highlights such as Jim Jarmusch’s Venice Golden Lion Winner FATHER MOTHER SISTER BROTHER; Kaouther Ben-Hania’s Venice Silver Lion Jury Prize winner THE VOICE OF HIND RAJAB; Werner Herzog’s  GHOST ELEPHANTS; Charlie Kaufman’s highly anticipated short film HOW TO SHOOT A GHOST, starring Oscar®-nominee Jessie Buckley; Paolo Sorrentino’s LA GRAZIA; Mascha Schilinski’s SOUND OF FALLING; Charlie Polinger’s (AFI Class of 2017) THE PLAGUE, starring Joel Edgerton; Ildikó Enyedi’s SILENT FRIEND; Shih-Ching Tsou’s LEFT-HANDED GIRL, co-produced, co-written and edited by Sean Baker; plus the World Premieres of William Means’ (AFI Class of 2021) feature debut JUNKIE, executive produced by Patty Jenkins (AFI Class of 2000), and Joan Bofill Amargós’ documentary THE HANGING OF STUART CORNFELD, a portrait of film producer Stuart Cornfeld (AFI Class of 2000) featuring close friends and collaborators, including Jack Black, Mel Brooks, David Cronenberg, Guillermo del Toro, David Lynch, Steven Soderbergh and Ben Stiller.


A MAGNIFICENT LIFE

Additional highlights include several highly anticipated international titles making their U.S. or North American Premieres, including Singaporean filmmaker Siyou Tan’s (AFI DWW+ Class of 2019) Toronto-premiered debut feature AMOEBA; Iranian filmmaker Ali Asgari’s Venice-debuted DIVINE COMEDY; Thai filmmaker Pen-Ek Ratanaruang’s San Sebastián-premiered MORTE CUCINA; Armenian filmmaker Tamara Stepanyan’s MY ARMENIAN PHANTOMS, Armenia’s Best International Feature Oscar® submission; Mexican filmmaker Fernando Eimbcke’s Berlin-debuted OLMO, produced by Dede Gardner, Jeremy Kleiner and Eréndira Núñez Larios; Oscar®-nominated documentarian Daniel Raim’s (AFI Class of 1999) Venice-premiered THE OZU DIARIES; German filmmaker Julian Radlmaier’s Locarno-premiered PHANTOMS OF JULY; UK filmmaker Oscar Hudson’s Venice Critics’ Week Award Winner STRAIGHT CIRCLE; and French filmmaker Stéphane Demoustier’s Cannes-debuted THE GREAT ARCH, starring Claes Bang, Xavier Dolan and Swann Arlaud.

This year’s edition will also include new works from top auteurs like Fatih Akin (AMRUM), Cherien Dabis (ALL THAT’S LEFT OF YOU), Jean-Pierre and Luc Dardenne (YOUNG MOTHERS), Lav Diaz (MAGELLAN), Annemarie Jacir (PALESTINE 36), Radu Jude (KONTINENTAL ‘25), Nadav Lapid (YES), Sergei Loznitsa (TWO PROSECUTORS), László Nemes (ORPHAN), François Ozon (THE STRANGER), Amanda Kramer (BY DESIGN), Hylnur Pálmason (THE LOVE THAT REMAINS), Christian Petzold (MIROIRS NO. 3), Ira Sachs (PETER HUJAR’S DAY), Lee Sang-il (KOKUHO), Hong Sang-soo (WHAT DOES THAT NATURE SAY TO YOU), Erige Sehiri (PROMISED SKY) and Carla Simón (ROMERÍA).


FIUME O MORTE!

Among the other high-profile documentary selections screening at this year’s festival are Clay Tweel’s ANDY KAUFMAN IS ME; Gianfranco Rosi’s BELOW THE CLOUDS; Laura Poitras and Mark Obenhaus COVER-UP; Ben Proudfoot’s THE EYES OF GHANA; Brandon Kramer’s HOLDING LIAT; Daniel Junge and Sam Pollard’s I WAS BORN THIS WAY; Chai Vasarhelyi and Jimmy Chin’s LOVE+WAR; Tamara Kotevska’s THE TALE OF SILYAN; plus Brittany Shyne’s SEEDS and Isabel Castro’s SELENA Y LOS DINOS, both Sundance award winners.

This year’s program represents 56 countries and includes 19 Best International Feature Oscar® submissions, including ALL THAT’S LEFT OF YOU (Jordan), EAGLES OF THE REPUBLIC (Sweden), FIUME OR DEATH! (Croatia), HAPPY BIRTHDAY (Egypt), KOKUHO (Japan), LEFT-HANDED GIRL (Taiwan), THE LOVE THAT REMAINS (Iceland), MAGELLAN (Philippines), MY ARMENIAN PHANTOMS (Armenia), THE MYSTERIOUS GAZE OF THE FLAMINGO (Chile), ORPHAN (Hungary), PALESTINE 36 (Palestine), A POET (Colombia), THE PRESIDENT’S CAKE (Iraq), SOUND OF FALLING (Germany), THE TALE OF SILYAN (North Macedonia), A USEFUL GHOST (Thailand, THE VOICE OF HIND RAJAB (Tunisia), and YOUNG MOTHERS (Belgium).


KOKUHO


“With more than 90 features and nearly 70 shorts, AFI FEST 2025 will be our biggest program in recent memory,” said Todd Hitchcock, Director of AFI FEST and the AFI Silver Theatre and Cultural Center. “But more importantly, this year’s selection reflects a diversity of viewpoints, artistry and daring from filmmakers across the globe.”

“AFI FEST’s unique mix of red carpet premieres, major works from established auteurs and impressive debuts from new talents makes for an action-packed five days of great cinema, which will spark conversation and stir imagination,” said Abbie Algar, Director of Programming, AFI FEST and AFI Silver Theatre and Cultural Center. “We look forward to welcoming the film lovers of Los Angeles back to the iconic TCL Chinese Theatre, as well as, this year, The Egyptian Theatre.”

Canva is the exclusive Presenting Sponsor of AFI FEST. FIJI Water is the festival’s Official Water Sponsor.

For more information, please visit: AFIFEST2025


THE LOVE THAT REMAINS